THE CORRESPONDENCE

Write to the studio.

No funnel on the other side of this page. A person reads what you send and a person replies. Tell us what you want booked more of.

“You completely changed how we do business.”Swetha, lead coordinator, Weldone Events

KIR · THE CORRESPONDENCE
Read by a person.
TO · THE STUDIO

EVERY INQUIRY, ANSWERED IN OUR OWN HAND.

WHAT HAPPENS NEXT

Three things, in order.

01 A person reads it

Your note lands in the studio inbox, not a CRM sequence. The founder reads every inquiry personally.

No drip. No pitch.
02 We look before we reply

We pull up your grid and your market before we write back, so the reply is about your work, not our pitch.

The first reply already has judgment in it.
03 You get a straight answer

If we're the right hands, we'll say what we'd run and where to start. If we're not, we'll say that too.

Either way, you'll know where we stand.
THE CORRESPONDENCE

Begin.

Four lines is plenty. We're reading for fit, not polish.

Received.

A person will read it and a person will reply.

Prefer email? keepingitreelco@gmail.com

The honest part. We take a limited number of engagements per season, and we only reply yes when the system fits. If you're earlier than a retainer, say so in the note, the Grid Read and the Trailer exist exactly for that.