You already capture the moments at every wedding; we turn them into the feed that books. Three ways to be directed, one complimentary way to start, every cadence and inclusion written in full. The agencies that make you ask the price are usually hiding the math.
All month to month, no lock-in, no minimum. Every engagement opens with The Immersion, a one-week intake ($750, waived for founding clients): your voice, your market, and your archive, so what ships in week one already sounds like you. Every tier is held up by the Ninety-Day Floor. And it all begins the same way, free: the Grid Read, an application, never a checkout.
A fraction of one five-figure booking.
For planners around $300k–$500k whose feed went quiet because every weekend belongs to a wedding.
Two salaries of work, under one direction.
For planners at $500k–$1.5M who want inquiries arriving while they're on-site, not a second job managing an agency. Most clients live here.
A $150k department, run for $54k a year.
For studios at $1M+, multi-brand vendors, and venues that need an editorial department without hiring one.
You completely changed how we do business.Swetha, lead coordinator, Weldone Events Every tier carries the Ninety-Day Floor
The feed finally sounds like the work, and starts earning saves instead of silence. You already shoot the footage; we turn it into the booking engine, eight posts and four reels a month, written and graded in your voice.
A senior social media hire runs $65,000 a year before benefits, and you'd still have to manage them. This is $18,000 a year, no recruiting, no managing, no Sunday nights writing captions at 11pm. And everything we build stays yours.
Planners and studios around $300k to $500k a year whose work is excellent and whose feed has gone quiet. You want a reliable engine, not a bigger team.
If inquiries are already steady and you want the feed closing rooms before the call, you want The Director. If you're under $300k, start with the free Grid Read instead.
Month to month. No minimum, no notice clause. Every asset is yours forever, even if you leave. It starts working the first week, and the Ninety-Day Floor stands behind it: an inquiry engine running inside ninety days, or we keep working free until it is.
By the time a couple inquires, the room is already half closed. You already shoot the footage; we turn it into the booking engine and work the room daily, twelve posts and six reels a month plus community management in your voice.
A content manager plus a community manager is two salaries. This is $30,000 a year for both jobs done under one direction, with a competitor brief your hires would never write. It's also the only tier most of our market ever needs, which is why most studios choose it.
Studios at $500k to $1.5M a year, already booking luxury, whose feed still works like a smaller studio's. You want the grid doing sales work before the call.
If you're posting rarely and just need the engine running, The Signature does that for $1,000 less. If you run thirty events a year across markets, read The Atelier.
Month to month. No minimum, no notice clause. Everything is yours forever. One vendor of your kind per market: while you hold the seat, we won't take your competitor. It starts working the first week, and the Ninety-Day Floor stands behind it.
An editorial marketing department under one direction: we turn the footage you already shoot into the booking engine, twelve posts and eight reels a month, then refill the well each quarter with a shoot day of our own, run for less than one senior hire.
A marketing department: a content lead, a community manager, a quarterly production crew, and a strategist. Hired separately, that's well past $150,000 a year. This is $54,000, under one direction, with no one to manage. The shoot day alone sells for $3,000.
Studios past $1M, venues, and multi-brand vendors where the feed is the number one marketing channel, not a side job. If the calendar depends on it, this is the tier that runs it.
If you don't want quarterly shoot days, The Director gives you the full engine for $2,000 less. The Atelier earns its price when production volume is the bottleneck.
Month to month, even at this level. No minimum, no notice clause. Everything is yours forever, including every frame from the shoot days. Category exclusivity in your market. It starts working the first week, and the Ninety-Day Floor stands behind it.
Annual pre-pay, optional on every tier: pay twelve months up front and save 10% ($16,200 / $27,000 / $48,600). A cash-flow choice, never a requirement, and never a lock.
The retainers are the engines, run month to month. This is everything else: a free read to start, single projects at a fixed scope and price, and the pieces clients add once the engine is running, usually after month one. One direction behind all of it, and every asset yours to keep.
A two-page read on your Instagram with a concrete 90-day inquiry forecast: what's working, what's leaking, what we'd direct first. By application, written by hand, with an honest verdict on fit. Apply →
The first cut: a focused, two-week engagement. Six finished posts, two of them reels, built from footage you already have, so you see the difference on your own grid before any retainer. Credits toward your first month if you continue within 30 days. Request →
A two-week brand sprint: full audit, positioning overhaul, voice guide, and a 90-day content calendar you can run yourself. Request →
A cinematic website refresh in one to two weeks: hero film, copy in your voice, type and color brought up to your level. Request →
The full cinematic website, built the way films are built: motion direction, editorial type, copy in your voice, every scroll considered. You're reading one right now. Request →
A feed that never thins, even through a quiet season. Our crew shoots fresh footage on the ground, directed by us, so a single day stocks a quarter of content. A half or full production day at your venue or event: reels, stills, and b-roll, graded to your register, yours forever. Request →
When couples ask ChatGPT or Perplexity who to hire in your market, the answer should be you. We make your studio the cited one: profiles, citations, and structure, done once, per market.
Pinterest direction ($250/mo) or a TikTok mirror of your feed, re-paced for the platform ($350/mo). Added to any retainer without renegotiating it.
One strategic problem, returned as a finished system: a pricing builder, a sales playbook, an AI implementation, an automation, an app. If it can be built, it can be briefed. Scoped per engagement.
You see exactly where your inquiries are leaking and what to direct first, two honest pages on your Instagram with a ninety-day forecast and a straight verdict on fit.
Free, by application, for luxury wedding vendors. The read is the audition: if the thinking is sharp on two pages, you know what a month of it feels like. It is honest about fit: if a retainer is not your right first step, the verdict says so, and points you to what is.
You see the difference on your own grid before any retainer: six finished posts, two of them reels, built in two weeks from footage you already have, and the full $997 credits toward month one if you continue within thirty days.
The one engagement we offer without an application. Continue within thirty days and the Trailer was free. Walk away and you keep every asset.
A two-week sprint that rebuilds the thinking under your brand: where you sit in your market, how you should sound, and ninety days of content you can run yourself.
Built for studios that want the thinking but plan to execute in-house. If you later move to a retainer, the work transfers straight in, nothing is redone.
Your website brought up to the level of your work: a cinematic hero film, copy in your voice, type and color corrected, on the platform you already have.
A refresh, not a rebuild: it works with the site you have. The full rebuild is The Premiere.
Your website, built the way films are built: motion direction, editorial type, copy in your voice, every scroll considered, and the proof is that you're reading one right now.
One price, whole: $5,000, no "starting at." If you only need your current site brought to register, The Edition does that for $1,250, and we'll tell you plainly which one you actually need.
A feed that never runs dry, even through the slow months: our own crew shoots fresh footage on the ground, directed by us, so the well your grid draws from is finally full, and finally yours.
A feed thins quietly. A few slow weeks, the same three looks recycled, and the couple comparing you side by side picks the studio whose grid never went still. That comparison is the whole game, and it turns on footage. One day of fresh material is the cheapest insurance against a silent season, and every frame is yours forever, licensed for anything: the feed, the website, the next pitch. Bought alone, one day typically feeds a quarter of content. Included quarterly in The Atelier.
When couples ask ChatGPT, Perplexity, or Google who to hire in your market, the cited answer should be you, and we build the structure that makes it so.
One-time, per market. Almost nobody does this for wedding vendors yet. That's the point.
The feed we already direct, carried to the platforms your couples also search: Pinterest at $250 a month, a TikTok mirror at $350.
Requires an active retainer. Pinterest direction is already included in The Atelier.
One problem, taken off your desk and returned as a finished, working system: a pricing builder, a sales playbook, an AI implementation, an automation, an app.
Scoped per engagement. If we don't think we're the right builder for the problem, we'll say so.
Sunday, 11pm: you're choosing a caption for a wedding you ran three weeks ago, because nobody else will. The feed posts in bursts, goes quiet for eleven days, and reads nothing like the rooms you actually build. The couples you want scroll past, and the inquiries that do land open with a budget question.
At your level, one booking is a five-figure engagement. A feed that loses one right couple a season costs more than anything on this page. That's the honest math: the expensive option isn't the studio. It's the silence.
The week we start posting, the feed begins reading like you. Within weeks the saves start climbing, the first sign the work is landing. By month three the engine is compounding: saves, profile visits, inquiries that open with "we love your work" instead of "what do you charge." You stop being your own night-shift marketer, and you choose the couples instead of chasing them.
But it starts with seeing where yours is breaking now.
Most studios pour another year into reach. The leak is almost always further down, closer to the money. Pick what you are seeing, and take the honest read, free, whether or not we ever work together.
Which one sounds like your studio? Pick the line.
A couple decides over months, so a booking is the last thing to land, never the first. Most studios quit before it does. Here is exactly what you are holding at every mark along the way, and all of it is yours to keep.
Before a single post goes up, you already hold a voice guide and a six-week calendar, built from your market and your archive. If we stopped here, you would still walk away with the playbook.
The feed is live and finally sounds like the work, directed, in your voice, planned six weeks out. The silence is over, and it is no longer your job to keep it fed.
Saves climb past where they sat, and the right couples start to linger. The tone in your inbox shifts, from price-first questions to couples who already sound half-decided.
The inquiry engine is compounding, every booking traceable to where it began. This is the floor we guarantee, not the ceiling: if it is not compounding by now, we keep working free until it is.
Each of these has a reason to exist: the tool keeps the page from going empty, the freelancer brings taste, the agency brings hands. Here is the same money laid against what it actually buys, and the things only one column can promise.
| KIR | An auto-tool | A solo freelancer | A full agency | An in-house hire | |
|---|---|---|---|---|---|
| What it's built to move | Saves to inquiries to bookings, with the source named | Post count | A nicer-looking feed | Reach and "leads" | Whatever you direct |
| Wedding-native judgment | 200 weddings, shot and cut | Templated, not directed | Real taste, one set of hands | A generic playbook | Only if you train them |
| A crew on the ground | Yes, our own studio | No | Solo, day-of only | Subcontracted | No |
| Proof it works | A public record: 12.4x saves per reel, $42,416, a national feature | None | A few testimonials | Vague case studies | None |
| A results guarantee | The Ninety-Day Floor: we keep working free past day ninety, until it runs | None | None | None | None |
| Your competitor | One per market, never your rival, from The Director up | Serves everyone | Could have your rival too | Could have your rival too | Yours alone |
| What it costs | $1,500–$4,500 a month | $49–$99 a month | Comparable, rarely published | $1,000–$5,000 a month, often hidden | $60–90k a year, plus tax, tools, and managing them |
| If you leave | Everything stays yours | The posts just stop | Varies | Often theirs; check the contract | The knowledge walks out |
One booking you wouldn't otherwise have won covers months of the work. A single $40,000 venue contract pays for sixteen months of The Director; a $12,000 planning fee, nearly five. The retainer is the line item. The booking is the return.
No minimum term, no notice clause, no exit fee. We earn the next month every month. The annual pre-pay exists for cash flow, never as a trap.
Every post, reel, template, calendar, and strategy document belongs to you forever, including if you leave. Nothing is held hostage.
The feed changes from the first post. The guarantee covers the compounding: if the inquiry engine isn't running by day ninety, we keep working at no further cost until it is. The timeline risk is ours. Measured, not felt: your inquiry level is documented at day zero, before anything ships, and the floor is met when feed-attributed inquiries in the last thirty days of the ninety exceed that baseline. Your engagement letter carries the measure in writing.
Weddings are seasonal; your retainer knows it. Hold your engagement through the quiet months, and your unused deliverables carry forward when you return.
At The Director and above, we take one vendor of your kind per market. Your direction is never shared with the studio down the street.
The studio takes a limited number of engagements per season. When we're full, we say so, and hold your place for the next opening.
Most agencies rent you a feed: leave, and the calendar, the templates, the voice work all stay theirs. Every engagement here builds assets that belong to you from the first week, working assets a studio would otherwise spend months building alone.
Every post planned six weeks out, in your hands before anything runs.
What ran, what she saved, what we direct next, with inquiry attribution.
The first dance nobody saw…
Every opening line that earned a save, indexed and reusable forever.
How your studio sounds, codified, so nothing ever reads off-register.
Every post and reel, full resolution, color graded, yours to run anywhere.
Templates, type, color, covers, the system itself, packed and portable.
Hire a generic agency for a year and leave: you keep screenshots. Run a year here and leave: you keep the machine. That difference compounds every month you stay, and it's yours even if you don't.
The feed changes the first week, that part is immediate: directed work, in your voice, replacing silence. What compounds is the inquiry engine, as the saves and shares stack into shortlists. If that engine isn't running by day ninety, we keep working free until it is, so the timeline risk sits with us, not you.
The Immersion week exists for exactly this: your voice, your market, your archive, read closely before a single post ships. Captions are written in your register, and you see the calendar six weeks before anything runs.
Most of our clients have. It's why there's no lock-in, why every asset is yours even if you leave, and why the guarantee is a floor instead of a pitch. The structure removes the ways agencies usually win while clients lose.
We've run the day and cut the film, across two hundred weddings. You will not be explaining what a first look is, why October is booked, or what a planner actually sells.
No. The calendar arrives six weeks ahead, concepts come to you proactively, and the monthly Direction Memo tells you what ran, what she saved, and what we're directing next. You approve; you don't chase.
Because the roster is capped and the work is judgment, not units. The Grid Read is how both sides find out whether it's a fit, before any money moves.
Send your handle. You'll get two pages on exactly where the inquiries are leaking, a 90-day forecast, and an honest verdict on fit.
“You completely changed how we do business.”Swetha, lead coordinator, Weldone Events
Apply for the read